Thursday, February 26, 2015

Can anything better be said of any old animal, or any old man?





Tuesday, February 14, 1961 – Rocky Mountain News “… End for Velox,” 

(A monologue with Velox, blind polar bear which is slowly dying of old age at the Denver Zoo.)
I know how it is, old gal. Back’s weary, joints ache, too tired to eat any more. Just want to lie down and sleep. Doze softly in the sun…a long, long time.

I’ve seen that look around the eyes before… of old animals and old men. Though lost to sight, they look a far, far way. Far from the crippling aches of age. Far from the bars of the cage of life. Deep into the gray distance where old men and old animals meet in common quietude.

I saw the look one winter’s morning in the eyes of an old Airedale. As the film closed in, they saw for the last time the precious corners of the neighborhood where he stopped on his morning rounds. They saw the sun-flaked mountains which once his strong, young legs had conquered. And he stretched out in the inevitable meeting place which you today are sensing.

It broke my heart. It breaks my heart this morning to see you bent under the burden of life which once was fresh and sweet.

But I should feel much better if I only knew. If I only knew, old gal, that you realize the joy you have given for 20 years to Denver’s children. And to men with the hearts of children who are growing old themselves.

Sam had his streets and mountains. But you have had a fairer picture. An endless panoply of children’s faces which you have made to shine. And I pray that in these latter hours you know that this is true. For, if you do, I shall feel much less the sense of guilt I’ve always had because of the cage’s bars.

I know that bars are never sweet. I know the misery of only walking back and forth, back and forth. Never able to turn around because as a cub you were forced to live in a narrow circus cage. More desirable by far would be the freedom of ice floes, of the arctic storms, of the winter’s midnight sun. I know all this in sorrow.

But, after all, old gal, none of us can fully shape the pattern of his life. And none of us, as years restrain our efforts, is completely free. What we come to prize most, as wiser we become, is the inner satisfaction that we have been useful to someone. That someone needed us. That someone was happier because he passed our presence.

And so, old gal, bear gallantly these aches and ills, for there are thousands of children who are bearing them with you.

Bend quietly under the burden of years, for there are other old animals and old men whose backs are likewise bent.

Gaze peacefully toward the final meeting place, for you will not be forgotten.

And, when the burden is ended, I hope they will bury you on the hill where other mirth-giving animals are covered. And on a headstone I hope will be written this paraphrase of the inscription above a grave in an early Colorado mining camp.

VELOX. She did what she could…

Can anything better be said of any old animal or any old man?

___ Jack Foster, Editor of the Rocky Mountain News

 Maybe it is one woman. Perhaps it is several. Conceivably, it is every one I have ever known.


By Rob Carrigan, robcarrigan1@gmail.com

Being a man, I would never claim to understand the things a woman might have to go through in life. But in my short time on this earth, I have encountered a few ideas. 
First, I guess, is that it is hard.
“Being a woman is a terribly difficult task, since it consists principally in dealing with men,” according to Joseph Conrad. That, coming from a man, of course. 
“For most of history, Anonymous was a woman,” noted Virginia Woolf.
Again, I won't speak for them, but that could be true. 
Second, never patronize.
Third, you'll never figure it out.
But being human, I want tell a story about them anyway.  Maybe it is one woman. Perhaps it is several. Conceivably, it is every one I have ever known.
She didn't know what to think of me because I was afraid of her. I liked that she tried to keep me honest ... had trouble with that, though.
I tell stories. Not all of them are true.
You have to know how much I care, though. How hard I try to do the right thing. Even, how there is a little bit of truth in every story?
People always try to keep us separate. Men, Women, from an early age ... to the grave.
I remember in kindergarten, at nap time, after just a few days, the teacher wouldn't let me try to sleep on the same mat as one of the girls. "Quit messing around, Robby, or you will go out into the hall."
Later, I marveled about all the things they knew. Things I didn't understand.
They were just same, yet different.
By the time sixth or seventh grade rolls around, the difficulty is evident. We are speaking a different language.
"For most women, the language of conversation is primarily a language of rapport: a way of establishing connections and negotiating relationships ... For most men, talk is primarily a means to preserve independence and negotiate and maintain status in a hierarchical social order," writes sociolinguistic professor Deborah Tannen of Georgetown University.
Men often dominate conversations in public, even where they know less about a subject than a female interlocutor, because they use conversation to establish status. Women, on the other hand, often listen more because they have been socialized to be accommodating. These patterns, which begin in childhood, mean, for instance, that men are far more likely to interrupt another speaker, and not to take it personally when they are themselves interrupted, while women are more likely to finish each other's sentences, according to Tannen's book, "You Just Don't Understand."
I am trying create connections.  She doesn't think we live in the same world.
In high school, it is like many of the songs lay out.
We struggle to figure out who we are as people.
There is this study and that study. Women talk more than men. No they don't.
"Louann Brizendine, founder and director of the University of California, San Francisco's Women's Mood and Hormone Clinic, published The Female Brain. One of the most cited gems within its pages was a claim that women are chatterboxes, speaking an average of 20,000 words per day, nearly three times the mere 7,000 spoken by men," reported Scientific American in 2007.
"Seemed to make sense, given the rep of women as purveyors of gossip, not to mention creatures incapable of keeping their traps shut. Right? Wrong."
James Pennebaker, chair of the University of Texas at Austin's psychology department, says he was skeptical of the lopsided stats when he saw them quoted in an interview with Brizendine in The New York Times Magazine.
Pennebaker developed a device called EAR (for electronically activated recorder) which is a digital recorder that subjects can store in a sheath similar to a case for glasses in their purses or pockets. The EAR samples 30 seconds of ambient noise (including conversations) every 12.5 minutes; carriers cannot tamper with recordings.
"Researchers used this device to collect data on the chatter patterns of 396 university students (210 women and 186 men) at colleges in Texas, Arizona and Mexico. They estimated the total number of words that each volunteer spoke daily, assuming they were awake 17 of 24 hours. In most of the samples, the average number of words spoken by men and women were about the same. Men showed a slightly wider variability in words uttered, and boasted both the most economical speaker (roughly 500 words daily) and the most verbose yapping at a whopping 47,000 words a day," according to Scientific American.
But in the end, the magazine reported, the sexes came out just about even in the daily averages: women at 16,215 words and men at 15,669. In terms of statistical significance, Pennebaker says, "It's not even remotely close to different." 
But it is not just the talking. Is 'us' against 'them?' Are country songs correct?
Was it the "Wild Side of Life," as Hank Thompson noted. Or was Kitty Wells right about "It wasn't God Who Made Honky Tonk Angels?"
I can feel betrayed, too.
In your 20s and 30s, it seems you figured out enough to stay in the same room, for limited periods of time anyway.
I guess, as we get older, the real trouble starts.
In the language of the newspapers business, a Velox is a graphic image, reproduced on light-sensitive paper, that can then be photographically copied, scaled and manipulated before being transferred to a printing plate. It is also called a Photomechanical Transfer or PMT. They are no longer widely used as they have been replaced by other methods and technology.
Is that why they call it a mid-life crisis? Research does not support a normative midlife crisis. It is more accurate to refer to a transition that often involves a midlife review, which may be a psychological turning point. We are all headed one way or another, I guess.
"Narrative psychology describes identity development as a continuous process of constructing a life story," says "Human Development: Ninth Edition, by Paplia Olds Felman."
That is what I have been trying to tell you.
I tell stories. Most of them are true. But in my short time on this earth, I have encountered a few ideas about women.
None of us are completely free. We prize the idea we were useful to someone. We do what we can.


Saturday, February 14, 2015

Her story to tell, first to the top



Holmes was, in fact, the first woman recorded to have climbed a 14,000-feet peak in North America. 

By Rob Carrigan, robcarrigan1@gmail.com

Even though I have two pioneer-spirited daughters, I don't always think of how women in history seem to be neglected in a male-centric telling of the story. Besides that, breaking boundaries and being the first to do something seems somewhat more of a male obsession anyway. But you know my feelings about history, and telling stories.
Of course women have, and can tell stories of their own.
In 1766, Mary Katherine Goddard and her widowed mother became publishers of the Providence Gazette newspaper and the annual West's Almanack, making her the first woman publisher in America. That was a notable first for Goddard, but it wasn't really her last notable first.
In 1775, Goddard became the first woman postmaster in the country (in Baltimore), and in 1777 she became the first printer to offer copies of the Declaration of Independence that included the signers' names. In 1789 Goddard opened a Baltimore bookstore, probably the first woman in America to do so.
In 1767, Anne Catherine Hoof Green took over her late husband's printing and newspaper business, becoming the first American woman to run a print shop. The following year she is named the official printer for the colony of Maryland.
Locally, let's mark another important first. Certainly not the first to tell it, but here goes...
As James McChristal wrote in his 1999 book "Pikes Peak: Legends of America's Mountain," Anna Archibald Holmes was an ardent feminist and suffragette. "She and her husband, James, also accompanied the Lawrence party to the mountains (of Colorado in 1858)."
A companion of Anna Holmes described her as a "regular women's righter, wears the Bloomer, and was quite indignant when informed she was not allowed to stand on guard. She is young, handsome and intelligent."
As Holmes noted at first sight of the summit, after leaving Bent's Fort on the Arkansas, she decided to climb it. Even though "nearly everyone tried to discourage me from attempting it."
Aug. 1, 1858: "My husband and I adjusted our packs to our backs and started for the ascent of Pikes Peak. My own pack weighed 17 pounds; nine of which were bread, the remainder a quilt and clothing. We reached the wonderful Boiling Springs. We drank deep... in another mile were vigorously attacking the mountain. The first mile or so was sandy and extremely steep, over which we toiled slowly."
Aug. 2, 1858: "Two days of very hard climbing has brought me here," she wrote to her mother. "My strength and capacity for enduring fatigue have been very much increased by constant exercise in the open air."
Aug. 4, 1858: "Eastward, we can look on a landscape of Kansas plains, our view hemmed only by the blue haze of the atmosphere, and extending perhaps 200 miles. The beauty of this great picture is beyond my powers of description... We are on the east side of the Peak, whose summit looming above our head at an angle of 45 degrees, is yet 2 miles away — toward the sky."
Aug. 5, 1858: "We left... early this morning for the summit... Arriving within a few hundred yards of the top the surface changed into a huge pile of loose angular stones, so steep we found much difficulty in clambering up them... We stood upon a platform of near 100 acres of feldspathic granite rock and boulders. Occasionally a little cranny amount the rocks might be found in which had collected some coarse soil ... where ... we found a green tuft about the size of a teacup from which sprung dozens of tiny blue flowers most bewitchingly beautiful. The little ultra-marine colored leaves of the flower seemed covered with and infinitude of minute sparkling crystals — they seemed children of the sky and snow. It was cold and rather cloudy, with squalls of snow, consequently our view was not so extensive as we had anticipated. A portion only of the whitened back-bone of the Rocky Mountains ... could be seen, 50 miles to the west. We were now nearly 14,000 feet above the sea level. But we could not spend long in contemplating the grandeur of the scene for it was exceedingly cold."
When she reached the top, she finished the letter to her mother.
"I have accomplished the task which I marked out for myself, and now feel amply repaid for all my toil and fatigue ... In all probability I am the first woman who has ever stood upon the summit of this mountain and gazed upon this wondrous scene ... Extending as far as the eye can reach, lie the great level plains, stretched out in all their ... beauty, while the winding of the great Arkansas is is visible for many miles ... the almost endless succession of mountains... the broad blue sky over our heads, and seemingly so near... everything, on which the eye can rest, fills the mind with infinitude, and sends the soul to God."
Holmes was, in fact, the first woman recorded to have climbed a 14,000-feet peak in North America. She later became a reporter for the New York Herald Tribune, worked for the U.S. Bureau of Education and became the Secretary of the National Woman's Suffrage Association.




Saturday, February 7, 2015

Problems are historic, aim is for resilience






Upper Monument Creek has experienced increasingly severe and costly impacts from wildfire


By Rob Carrigan, robcarrigan1@gmail.com

What many organizations and government agencies call the the Upper Monument Creek (UMC) landscape has been identified as a potential problem area for some time by several groups. Historically in fact, it has experienced increasingly severe and costly impacts from wildfire, including the 2012 Waldo Canyon Fire that burned across the southern edge.
The Front Range Roundtable (a collaborative group that has been working on such initiatives since 2004) identified this area as a high priority treatment area to reduce the risk of large severe fires and to increase the function of the watersheds.
The UMC landscape is located on the U.S. Forest Service’s (USFS) Pike National Forest and participants in the UMC Landscape Restoration Initiative (the Initiative) worked together for more than a year to develop collaborative, science-based management recommendations aimed at restoring forest resilience and reducing wildfire risks to communities in the area.
Among those agencies and groups working on the initiative are: Coalition for the Upper South Platte, Colorado Forest Restoration Institute, Colorado Parks and Wildlife, Colorado Springs Utilities, Colorado State Forest Service, Colorado State University, Rocky Mountain Tree Ring Research, The Nature Conservancy, The Wilderness Society, U.S. Forest Service, U.S. Natural Resources Conservation Service, West Range Reclamation LLC.
The Initiative submitted their report and recommendations to the USFS in early 2014. The Report provides background on the natural and human history of the UMC landscape, describes current forest conditions and challenges, and details the spatial and non-spatial analyses conducted by the group through their collaborative process.
Based on these analyses, the UMC Collaborative recommended that the USFS use a combination of mechanical, manual and prescribed fire treatments to manage conditions on approximately 18,000 acres within the 67,000 acre UMC landscape over the next 7-10 years. The estimated ten-year budget needed to implement these recommendations totals slightly over $10 million, or about $1 million average cost per year.
According to reports developed by the Roundtable and the organizations involved, the area's history is partially responsible for some of its challenges.
"The Upper Monument Creek (UMC) landscape was used seasonally by several indigenous groups, human settlement in the area did not begin in earnest until approximately 1860. Early settlers established and expanded timber operations in conjunction with mining activity. By 1867, several large-scale saw mills were operating in the area in response to the rapid pace of development. General William Jackson Palmer, anticipating railroad-driven economic growth, initiated development of the Colorado Springs area in 1871. A full-scale timber boom ensued as harvesters raced to meet the needs of the rapidly growing community and associated mining and railroad industries," according to the Roundtable's report, and they referred to other previous report examining the area.
"By the 1890s, much of the UMC landscape and surrounding area had been extensively logged and badly burned by both human and naturally ignited wildfires. A 1900 report by U.S. Geological Survey employee John G. Jack noted that at least 75% of the forests around Pike’s Peak had been logged, burned or both. While regular cycles of natural fire had occurred in lower-elevation forests for centuries, the increase in human activity led to larger, more severe and more frequent fires in all forest types," according info put together in early 2014.
"In his report, Jack described these forests as among the most damaged of any he had seen in the nation. A map accompanying the Jack report shows much of the UMC landscape occurring in areas designated as “badly burned” or “much burned over.”
Accordingly, concern about the condition of the forests and the potential negative impacts on water supply led President Benjamin Harrison to designate the Pikes Peak and Plum Creek Timberland Reserves in 1892. These reserves were consolidated, along with the South Platte Reserve, in 1907 to form the Pike National Forest, one of the first two National Forests in Colorado.
The federal government launched an aggressive reforestation initiative throughout the Pike National Forest shortly after its establishment. As a result, more than 2 million trees were planted in the area between 1912 and the early 1920s. The most significant planting in the UMC landscape occurred from 1924-1932 when the U.S. Forest Service’s now-defunct Monument Nursery oversaw the planting of seedlings across more than 7,000 acres. Current conditions in the UMC landscape reveal the lasting impact of these ambitious planters."
Though well-meaning, but probably misguided, federal policy of the last century mandating aggressive prevention and suppression of fire. This policy (it is now thought) led to the further disruption of natural fire cycles and promoted the growth of dense, even-aged forests that became stressed by competition for resources and vulnerable to unnaturally large-scale wildfires and insect and disease outbreaks.
No significant fires occurred in this particular area between 1916 and 1989, when the Berry Fire (aka Mount Herman Fire) burned 850 acres in proximity to the USFS’s Monument Fire Center.
In 2002, the Hayman Fire burned approximately 137,000 acres in an adjacent area Northwest of UMC, spreading 19 miles and growing by 62,000 acres in one day. In 2012, the Waldo Canyon Fire burned 18,247 acres northwest of Colorado Springs, destroying 346 homes and forcing 32,000 residents to evacuate.
"After a brief increase in logging during the 1950s, very little systematic timber harvest has occurred in the area surrounding the UMC landscape apart from smaller scale thinning and fuels reduction projects. Current forest management projects are complicated by the difficulty of operating in a largely urbanized environment, the relatively low value of products to be removed and the high cost of transportation due to a lack of local wood processing facilities," according to the UMC Collaborative Report.
"Rapid population growth and development in Colorado Springs, Woodland Park and surrounding communities has been a significant driver of conditions in the UMC landscape and, in fact, the entire Pike National Forest. The UMC landscape includes portions of El Paso and Douglas counties, two of Colorado’s fasting growing municipalities. The economic base of the area has shifted from one driven by resource extraction to one dominated by high tech businesses, higher education and the federal government. As a result, the UMC landscape is now highly valued for aesthetics and as a recreational outlet for urban dwellers," the report says.
"Hikers, cyclists, equestrians, hunters and anglers, wildlife enthusiasts and off-road vehicles all frequent these forests, placing increasing pressure and stress on the natural systems. Of particular concern are illegal shooting ranges, refuse dumping, and illegal creation of roads and trails. The USFS monitors these uses and periodically restricts access to the most heavily impacted areas to allow for revegetation and repair. Human use is particularly high on and around the Rampart Range Road and Mt. Herman Road. Unfortunately, due to staffing and resource constraints, resource degradation from illegal recreation use is not adequately addressed in some areas," the group working in collaboration noted.
"Of related concern is the expansion of homes, business and related infrastructure into previously wildland areas, a zone also known as the wildland-urban interface (WUI).
The presence of people and homes in the forest contributes to fragmentation of the landscape, dramatically increases the values at risk from wildfire, and adds to the difficulty and cost of wildfire risk reduction and other management efforts."
The project currently involves work related to Environmental Impact Statement which is expected to be release to the public later this year. Carin Vadala, NEPA Planner for the Forest Service is the lead for the Upper Monument Creek Initiative, and sees nearly a decade of before project completion. "Once the EIS is finalized it is anticipated that projects will continue for about 10 years,” Vadala said.
"The UMC Landscape Restoration Initiative is an ambitious and hopeful endeavor. It reflects the Collaborative’s belief that it is possible to change the trajectory of our high-risk forest landscapes – resulting in a brighter future for both people and nature. The development of these recommendations is a first step in that direction," according to the conclusion of the UMC Collaborative report.

Thursday, January 29, 2015

In the Forest: ‘It is all about caring for the land, and serving the people’







Restoring resiliency to the "Wildland Urban Interface" by thinning out dense forest, reducing fuels and collaboratively managing resources like the land, water, and providing for travel management planning are all part of the drill, says Erin Connelly, Forest and Grassland Supervisor for the Forest Service's Pike and San Isabel National Forest Cimarron and Comanche National Grasslands, when she spoke to Woodland Park residents at the Ute Pass Cultural Center on Tuesday, Jan. 20.

"It is all about caring for the land, and serving the people." Connelly says.

Citing a recent study identifying the top five reasons visitors come to the forest, she notes:

1. They are here to view natural features.

2. Relax.

3. View wildlife.

4. Hiking or walking in the natural surroundings.

5. Driving to places within the forest.

Local residents in attendance challenged some aspects of the operation, however.

"Some of us think of you as the Forest Closers," said local resident Curt Grina. "It seems more areas are closed all the time. And much of the forest is cut off from us except for about a third of the year."

He asked Connelly and Pike National Forest District Ranger Oscar Martinez to identify how many miles of road had been closed and additionally how many roads in the forest are targeted for future closer.

Both Connelly and Martinez said they have to look at management with all stakeholders in mind. Concerns for water, and forest management that restores resilience to a diverse and multi-faceted forest landscape, while helping collaborative efforts in the private sector, and with interactions with all organizations is key to their success.

Upper Monument Creek Project

When asked this week about any specific areas of concern as it pertains to the threat of wildfire, Pikes Peak District Ranger Oscar Martinez tabbed the Upper Monument Creek landscape.

"We are just beginning a modelling project to take that landscape and look at how to fragment the way that fire moves there. Our intention is to manage the landscape so that we might be able to design treatments to put speed bumps in place should a major wildfire occur."

Carin Vadala, NEPA Planner for the Forest Service is the lead for the Upper Monument Creek Project, and says things are just beginning.

"The Front Range Roundtable identified this area as a high priority treatment area to reduce the risk of large severe fires and to increase the function of the watersheds. They have worked to garner funding through the Collaborative Forest Landscape Restoration Project which will help fund the work done on the forest. The estimated costs are approximately $10 million over a ten-year period or about $1 million a year to implement. The main objective is to create a forest structure that is varied across the landscape and is also resilient to disturbances. The timeline is not completely set because the district is currently working on the Environmental Impact Statement (EIS) which will be released to the public for review later this year. Once the EIS is finalized it is anticipated that projects will continue for about 10 years," Vadala says.

According to a description in Forest Service reports, "The landscape is highly urbanized with the Colorado Springs metropolitan area dominating on the southeast border and the community of Woodland Park on the southwest. Two smaller communities, Monument and Palmer Lake, border the landscape to the northeast. The U.S. Air Force Academy (USAFA) is a significant presence on the landscape’s eastern boundary. The USAFA also maintains the private 655-acre Farish Recreation Area as an inholding within the landscape itself. The northern portion of the UMC landscape includes approximately one-quarter (4,407 acres) of the U.S. Forest Service’s Manitou Experimental Forest and 3,409 acres of designated Colorado Roadless Area. The 2012 Waldo Canyon Fire burned across approximately 11,000 acres at the landscape’s southern tip.

"The UMC Initiative builds on the work of the Front Range Roundtable, which has been working together since 2004 to dramatically increase forest management that reduces wildfire risks to communities and restores resilient ecological conditions in Front Range forests. The 67,000-acre UMC landscape is located within an area designated as a high priority for management by the Roundtable. Treatment within the landscape will be implemented under the auspices of the Front Range Collaborative Forest Landscape Restoration Project (CFLRP) and Long Term Stewardship Contract, both of which are Roundtable priorities, according to and executive summary of the initial report.

"The UMC Collaborative used a series of workshops and field visits to identify effective strategies for restoring desired conditions to the UMC landscape. Using both spatial and non-spatial analyses, the Collaborative found that: three major forest types comprise 85% of the landscape; forests in older age classes are significantly underrepresented; and forest conditions are considerably more dense than they would have been historically, particularly in the drier Ponderosa Pine and mixed conifer systems. Analyses also revealed that these closed forest conditions place people, water and wildlife at significant risk from unnaturally large and damaging wildfires," the report says.

Based on these analyses, it recommends over the next 7-10 years, the USFS use a combination of mechanical, manual and prescribed fire treatments to manage conditions on approximately 18,000 acres within the UMC landscape.

"First, treatments must be designed and implemented at a meaningful scale, ensuring that they are able to effect a landscape-scale change in conditions and processes. Second, treatments should be strategically scheduled and located so that they maximize benefits to both people and nature. Finally, treatments must be carefully designed, using the best available science for individual forest systems and ensuring that the purpose of treatments is clear," the report said.

You can also find more information about the project at the following webpage. http://www.fs.usda.gov/detail/psicc/landmanagement/projects/?cid=stelprd3800976

PHOTO INFO:

1. Erin Connelly, Forest and Grassland Supervisor for the Forest Service’s Pike and San Isabel National Forest Cimarron and Comanche National Grasslands, spoke to Woodland Park residents at the Ute Pass Cultural Center on Tuesday, Jan. 20, about policies and upcoming issues.

2. Oscar Martinez, Pikes Peak District Ranger, outlines initiatives and addressed questions by locals at the meeting Tuesday.

3. Map outlining the scope of the upper Monument Creek project.

4. Mount Herman Road is still closed but work is expected to be completed soon, weather permitting.

Photos by Rob Carrigan, Map courtesy of Pike National Forest District




Sunday, January 18, 2015

Duke's impact and connections to the homeland



Rooster Cogburn (played by John Wayne) confronts the four outlaws across the field.
Ned Pepper (played by Robert Duvall): What's your intention? Do you think one on four is a dogfall?
Rooster Cogburn: I mean to kill you in one minute, Ned. Or see you hanged in Fort Smith at Judge Parker's convenience. Which'll it be?
Ned Pepper: I call that bold talk for a one-eyed fat man.
Rooster Cogburn: Fill your hand, you son of a ...! 

__ From the 1969 version of True Grit, Directed by Henry Hathaway, Written by Margueritte Roberts, based on the novel by Charles Portis.


The big star was connected to area in other ways.


By Rob Carrigan, robcarrigan1@gmail.com

I just finished Scott Eyman's 2014 bestseller "John Wayne: The Life and Legend" and I am struck by how much impact a figure from the silver screen can have on a person— namely me.
Having grown up in southwestern Colorado, where the actor was almost woven into the fabric of the area, I feel connected, like he was a not-too-distant relative, (maybe  great-granddad or something).
Part of it, has to do with location.
Monument Valley, location for multiple John Ford westerns that molded Duke Morrison from a "B"movie crew member into the larger-than-life John Wayne, and sets him up as an American icon, straddled the Utah and Arizona border. Other films were created near Mexican Hat and it all, was not so terribly far from my boyhood home in Dolores, Colorado. If you followed the streamflows back uphill, to locations of the "Sons of Katie Elder," "True Grit" and other films, it meandered its way up the Dolores River, over Lizard Head Pass and high into the San Juan Mountains of Ridgway, Ouray, over Dallas Divide and into Montrose, where I was born.
Deb's Meadow, near the summit of Owl Creek Pass, with Chimney Peak and Courthouse Mountain featured in background, is where the film scene above took place. Duke used a trick similar to the one he learned for opening scenes of "The Searchers" of Monument Valley fame, in which a customized, sawed-off Winchester Model 1892, could be twirled to cock under his arm with just one hand.
"For his close-up, with reins between his teeth, twirling and cocking one-handed as he bore down on the outlaws, Wayne was not sitting on a horse, but on a saddle mounted on a camera car," wrote Eyman, in his recent book.
The hanging scene early in the movie was filmed in the Ridgway Town Park and Chin Lee's Place was on Clinton Street there. A little bit further up in Ouray, at the Court House, some of the court scenes were in the real thing there. The Ross Ranch, where the aging Wayne did his own horse jump for the freeze frame at the end of the movie, is out, off Highway 62, on the Last Dollar Road.
The truth of the mater was, that the big star was connected to area in other ways.
Today, thanks to the Pauls Family Work, large areas of the forest are accessible, and even that has ties back to Wayne.
Glen Pauls said he first came to the area with his family in the 1970s. After decades of planning, purchasing land, and dreaming, Glenn Pauls, his wife Dianne, and the Pauls family have transferred the first phase of the Ophir Mining Roads Public Access Preservation Project to the United States Forest Service. This transfer includes 109 acres and three building sites in the Water Fall Canyon area. These lands can never be developed and can never be closed to public motorized access.
"From there we came back nearly every year to motorcycle and jeep the trails, and we began to buy land. I now have approximately 1200 acres, almost all, of the mining claims in and around the Ophir Valley my parents and I have purchased since the mid 80s," Glen Pauls described how their efforts took shape.
"It started when I was told of a deal by realtor Bob Forsberg, where I could buy the entire holdings of John Wayne (the actor) and Donald Koll, who had planned to build a silver mine or ski area. The Hunt brothers and Telski dashed their dreams, and we bought them out. The path to preservation was conceived," he said.
Self professed "cowboy hippie" lawyer Dick Unruh, who still calls Telluride home, represented John Wayne and Ed Smart in a land transaction related to East Ophir when he came to the area in 1972.
In 1972, according to Unruh, pre-ski area, only about 400 people lived in Telluride.
And and though I have not been able to verify or prove it, I believe I ran into the Duke up there one year at the annual Fourth of July celebration, as military jets from Pete Field preformed a flyover worthy of the star's enthusiastic military support, and a better-than-average parade snaked down the main street. I think I probably have seen all of his movies, most before his death on June 11, in 1979.
Eyeman says John Wayne became not only Hollywood's most famous and successful actors, but in the process became a symbol of America itself — for better and worse.
It has made me wonder about a great number of possible ties of my home ground over the years and speculate about connections to the early film industry. For example, the most-storied bar there being known as the Hollywood, and the three-storied Del Rio Hotel finished in the early 1930s reportedly being frequented by Clara Bow and perhaps others, but I am also intrigued by the name itself, as Dolores Del Rio was one of the top starlets of the 1920s. With director John Ford (and his biggest star John Wayne) doing a lot of work in Monument Valley in the 1930s it doesn't seem to be out of the realm of possibility. 
At Pacific View Memorial Park, in Newport Beach, California, a stone was placed years after Duke's death in 1979, on his grave and carrying a quote by the legend himself.
"Tomorrow is the most important thing in life. Comes to us at midnight very clean. It's perfect when it arrives and puts itself in our hands. It hopes we've learned something from yesterday."

Top: John Wayne in 'True Grit' from 1969.

Bottom: John Wayne, Dolores Del Rio, and John Ford, at dinner meeting in Monument Valley.






Sunday, January 11, 2015

Write back where I came from




Write back where I came from
The light is on in the hall
I left the woods and tree stumps
Left the streets and crawl

Folks, they think they know me
They know nothing at all
I was different then and now 
Put all on paper, tack it to the wall

"Sensitive"  they called it.
So angry, I'd start a brawl
Snatches of conversation
Stories of the maul.

Stories were my salvation
For tell-tale, I had the call
Sensed things were to happen
Put it all on paper, tack it to the wall

Write back where I came from
Paint a pictures big and small
Memories true and false
Lady was beauty, fact, she was a doll

"Sensitive" they called it.
The light is on in  the hall
Capture all of their spirits
Put it all on paper, tack it to wall

___ Rob Carrigan

Building was once Gwillimville School



With much fanfare, the Tri-Lakes Chamber of Commerce moved into the Highway 105 location in 1985, but the building itself has quite a storied history. It's been a bit transient.
According to a letter dated March 15, 1985, from long-time Monument historian Lucille Lavelett, the building has been bopping around Monument since perhaps as early as 1869.
"The C.E. (Christian Education) Building was once a one-room Gwillimville School. Gwillimville was once a small, thriving community five miles east of Monument on Highway 105. It was founded by Gwillim R. Gwillim in 1869."
Lavelett relates the following story:
"During a period of a few years, a dozen or more families had come from Wales and several from England, and settled in the community. Church services were held in the one-room Gwillimville School until the Gwillimville Church was built in 1893. This Church was built on the northwest corner of (Highway) 105 and Highway 83," wrote Lavelett.
"On Aug. 6, 1919, Monument School consolidated with three smaller districts which were Pring, three miles south of Monument, Husted, six miles south (Husted is now part of the United States Air Force Academy), and Stout, which was east of Husted. The following year, Gwillimville joined the new district (1920)," she wrote.
"It was in the late 1920s or early 1930s, Rev. R.J. Hassted, minister of the Presbyterian Church, and Earl Thompson moved the little white school into Monument and put it south of the Presbyterian Church to be used as a Sunday School and community services. To help the church, the Monument Homemakers Club in 1938, and 1939, paid for having ceiling and walls re-plastered and painted, built a new flue in the west end, bought a large coal circulator heater to heat the building and put linoleum in the kitchen area. The east end had a cook stove, sink and cupboards. Cook stove did not give enough heat to warm the building, so the new flue was built," Lavelett said.
"In the late 1940s, the church built the new kitchen and Sunday School room on the north side of the building. Also a rest room. The town, at that time, had natural gas, so a gas heater was installed," she said.
At the time of the 1985 move to its present location, Lavelett noted that this was third move for the old Gwillimville School.
"When it was built, its home was about one and a half miles north of (Highway) 105 where the children had to walk through a cattle pasture. Children were afraid of the cattle, so it was move close to 105. Moved then to Monument, and in 1985 to home of the Chamber of Commerce," according to historian Lavelett.
Then County Commissioner Frank Klotz and Chamber President Sandy Smith turned a spade-full of dirt in honor of the new building in February, and actual move took place in April of that year, reported the forerunner of the Tribune at the time. The chamber had been organized nine years prior to spearhead efforts to attract business and industry to the Tri-Lakes area.
The Chamber owns the building itself but not the land on which it is located (property of the Colorado Department of Transportation), and will be looking for a suitable tenant for their former location on Highway 105.
"I love this building," says current Chamber Executive Director Terri Hayes, "But we are just out of space."