Saturday, October 17, 2026

Revisiting E.C. Gard, the Crusher, and decendents

Just trying to tell stories and be round

When I returned to Colorado Community Media, I wrote the following column retelling briefly, some of my favorite stories. June 28, 2015  


By Rob Carrigan, robcarrigan1@gmail.com

Certainly newspapering and telling stories is a circular process. Back in 2007, when I wrote (what I thought at the time) was probably my last column for a certain newspaper, I mentioned the basic truth that, in communities like these, a person never runs out of good stories to tell. Having spent so many years with the same newspaper company, many of them in the Teller County and Monument areas, I have even acquired a few stories of my own. 

I recall spending more than $700 one week to clear snow from the parking lot in Monument (when we were in the building that now houses Expectations Salon) after the October 97 blizzard. Jeremy Bangs and I logged a lot of hours in those days addressing Tribunes by hand and prepping bags for the mail. 

One of the funniest newspaper tales I have ever heard involved having to face the crazed meanness in the eyes of a publisher who had just figured out he only has flats for 34 pages of a 36-page paper when he arrived at the offsite printing facility. I guess that is what happens when rushed and, in haste, you throw completed flats in the back of the pickup where they can be sucked out a crack between the endgate and the topper latch on the way to the printer. 

Not everyone knew of the secret escape hatch through the closet in the editor’s office (and out to the back door) in the stucco house on the corner. I never had an opportunity use it, but still found it comforting in case of an irate advertiser or an enraged reader. I also recall watching out the front window of the Ute Pass Courier newspaper office in Woodland Park, as the police, including local city and county officers, and Bureau of Alcohol, Tobacco and Firearms, FBI and federal marshals, arrested members of the Texas Seven in the Coachlight mobile home park directly to the east of us. 

“No information at this time,” from emergency personnel, was the only explanation offered for the six or seven ambulances and various police cars lined up in our parking lot for a full twenty minutes before they could tell us what was going on. 

It was another media circus, but perhaps more dangerous one to staff and the community, when the Hayman Fire burned out of control for three intense weeks in June of 2002. For members of our staff at the newspaper, the weeks of stress related to intense long-term sustained coverage of a big story was compounded by whether or not their house, or place of employment, or both might burn. And all their friends and neighbors were in a similar predicament. 

But among the “big stories,” was always that small but important thread that needed to be pulled for goodness sake. It seems to me like I followed around in Ernest Chapin Gard’s footsteps – just about 100 years after he first made his appearance in Colorado. I published the Cripple Creek Gold Rush, which was a direct decendent of Gard’s Cripple Creek Crusher. I managed the Tri-Lakes Tribune in Monument and the Palmer Lake area, a century after Gard’s Palmer Lake Herald and Monument Register. I had worked at papers that covered Mono County in California that had ties, and had a friend that edited the paper in Gardnerville, Nevada with links to Gard. All were temporary haunts of the bombastic journalist, newspaper publisher, and mining promoter. For a while there, I thought there was some sort of weird Ju-Ju between me and the guy, 100-years-displaced. 

Then I figured out that this fellow started or promoted a paper in most every promising mining camp in the West. “E. Chapin Guard was at Palmer Lake much of the time between 1888 and 1895,” wrote my friend Daniel W. Edwards in a paper for the Palmer Lake Historical Society in July of 2010. Edwards recently retired from the U.S. Department of Commerce in Washington, D.C. and authored the book Dr. William Finely Thompson: Dental Surgeon and Founder of Palmer Lake. 

“He published Palmer Lake’s first newspaper, served on the first town council, was town attorney, a justice of the peace, filed claims to local mining properties, and wrote a booklet boosting Palmer Lake. Yet, being a restless and ambitious man, Gard could not stay put for long. He established, published, or edited 11 Colorado newspapers during his career, and his articles appeared in at least six others. 

As a roving journalist and newspaper editor in Colorado, Gard often resorted to poetry, humor, and sarcasm in his writings and fully exercised his right to freedom of the press. He did contribute to the dialog of democracy by criticizing public officials, but his unrestrained enthusiasm and often bombastic, intemperate rhetoric also provoked strong opposition. Many newspapers of that era practiced a similar style of journalism.” 

The Mountain Democrat of Placerville, California, had this to say about E.C. Gard, near the end of his colorful career in its June 4, 1926 edition. “Thirty years ago, when new mining camps were constantly springing up in the state of Colorado, each new mining camp had a newspaper that boosted everything from the skies above to what was expected to be found thousands of feet underground, and in most cases the name of the editor was E. Chapin Gard. 

There were two things that Gard could do more of and do better than anyone else in camp, one was write boost articles and the other was to drink good whiskey. He did both constantly and consistently, and helped many men become wealthy but never saved any money himself … E. Chapin Gard, still boosting, with more pep than half the men we meet every day, who has probably been compelled to forget his age in order not to become old, an example of what it means to always look on the bright side, to look for sunshine instead of clouds, to side-step gloom and cultivate happiness and contentment.” 

Of course Gard made enemies, often with his own rhetoric. “Don’t send your pennies to India,” Gard is quoted in the Pagosa Springs News on July 1, 1898. “The Hottentot can get along for awhile without your contributions … We need missionaries and money and tornadoes of prayers and rivers of tears to civilize the heathens in darkest America. Turn your gospel machines loose on Denver’s gates of Hell. Batter down the stone walls of Capitol Hill and see Satan and his imps scamper. Go into the big department stores and offices, where physical serfdom cringes and moral ruin crouches and weeps, and rescue the perishing. Lift the mask from some of our courts and begin to get to your work of salvation as rapidly and vigorously as possible. Pry up a few boards under the altar in front of some of our pulpits and see if we don’t need several tons of saving grace right here in Colorado.” 

E. Chapin Gard, was just getting warmed up. And Rob Carrigan is just circling around behind him. 

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Wednesday, October 14, 2026

Tom McKee: Photographer and Friend of Ute history


Mr. Tom McKee and Cheta - Chief McCooks sister
Creator: Walker Art Studio
Date: 1920-1930
Studio portrait of Tom McKee and Cheta, a Native American woman (Ute) wearing a print dress and pearls.
 

Interviews collected during 1933 and 1934, for the state Historical Society  of Colorado, by C.W. A. Workers . (Civil Works Administration) 

Interviewer working on this county: Arthur W. Munroe

Concerning the life of Thomas Micheal McKee, the pioneer photographer of  Montrose 

Since 1887, Thomas McKee has been identified with interests of Western Colorado. Not being a man who craves publicity,  Mr. Mckee has gone about his work and pleasure quietly, and has said little to anyone about anything, unless approached for certain reasons.

Mr,  McKee was one of the first men in the the world to carry on experiments with carnotite ore and radium, some of his discoveries  leading to general use of radium throughout the world today.  In the early days of discovery, in the early days of his experimenting, he used carnotite ore as a means of furnishing light for photographic work." 

He was also one of the first men of the world to think of the commercial possibilities of the oil shale that is found in abundance in Western Colorado and Eastern Utah.

He was one of the first photographers to visit the mesa Verde region and make a photographic record of the historic ruins to be found within its borders

He has a collection of relics< photographs and early-day scenes, and material collected among the Ute Indians and wealth of information on general information topics, that a king's  ransom could not buy.

He is a an accomplished artist, and portrait painter , and an authority on the fossils and and paleontology, and on archeology, and Indian lore and knows more about the Ute Indians,  than  any other living man. His collection of Ute bead work and baskets, on exhibit at the Fox Theater in Montrose,  is worth $10,000 dollarsand will increase in value as the years go by.

Thomas Michael  Mckee was born in Scary Creek, Putman County, West Virginia, (it was then Virginia) on march 17, 1854, and was but a baby when his parents took him down the river by steamboat to Louisville, Kentucky, and then by stagecoach to Nashville, Tenn., where he spent his boyhood days and attended school. He studied portrait painting and in succeeding years, traveled over much of the South persuing this work. 

Along with his portrait work, Mr. McKee studied photography and took a course in anatomy, so that he would be better able to do portrait painting.

He watched Nashville grow from a small town to a city, and he watched the construction of some of her famous buildings. For years he traveled to Texas and adjoining states as an an express messenger. He went into El Paso on the first train to run over the Texas & Pacific and was employed by Texas Express Company when it closed its business. 

 Mr, Mckee was married in 1885 to Amanda S, Kauffman, and to them, sons were born. One son died in infancy, the eldest, Mizer, was drowned in the Gunnison River, and the other, John, is engaged in the asphault business in central Cuba.

In about 1887, Mr. McKee started from Texas to Sitka, Alaska, he had written to A. E. Buddecke, of Montrose, and learned that that was no photographer in Montrose, so he changed his plans and came here, the trip costing him fifty dollars more than it would have cost to go to Sitka.

During the many years that he has been around Montrose,  mr. mckee has taken thousands of photographs. He has photos of the old Fort Crawford, with soldiers on parade. He has pctues of the early day events. He spent several years as the official photogragher of the Denver & Rio Grande for Western Colorado.

While, as messenger on the Rio Grande Southern Railway, he came interested in the prehistoric ruins in Lost Canyon, between Mancos and Dolores, and photographed them.  Then, in 1896, he took and expedition into Mesa Verde, where at that time, there weer no trails. he and a great deal of difficulty doing his photography in this great  canyon country. He had to dig out the old springs  of the cliff dwellers to secure water for his work and camp use.

He had a dark room  in some fo the inner rooms of Spruce Tree House, and Cliff Palace, and had to carry his large plates across over the cliffs  and the oak brush,  he secured a wonderful bunch of photos, which were partially responsible for Mesa Verde being set aside as a National Park.

His guides were Carl. P. Thomas, Sheriff at Cortez, for whom Mr. McKee named the ruin across the canyon west of the hotel in Spruce Tree Camp, and Mr. Keely was his guide, and showed him the ruins at Yellow Jacket and the ruin canyon districts of Montezuma Valley.

Mr. McKee's photographs are now  the prized possessions of many museums, and others are clamoring for them.

Before radium was considered a commercial possibility, Tom Mckee was carrying on experiments with it, and it was largely through these efforts, together with Onias Skinner and Lynn Monroe, publishers of the Montrose Enterprise, and Gordon Kimball, Ouray citizen, that it has come into general use. Carnotite, the ore from which radium is taken, was discovered in Montrose County, by an Irishman named Duling, who sold the claims for $12,500. This county has since then produced many, many times that amount in radium ore. Mr. Mckee used nitrates of uranium, instead of gold in his photographic work.

From 1906 to 1920, Mr. Mckee spent most of his time in Utah, in the ute Reservation, to which the Uncompahgre Utes were taken after being removed from this valley. He learned to know the Utes, their language, their ways, and their dances and their customs. He was well-acquainted with Chipeta for sixteen years. and she often came to his home. Here he secured his famous collection of beadwork and baskets. Here he took time off from his own business to show the oil-bearing stratas to men who were interested in the study and development of oil shale.  

Mr. Mckee took some of the first X-ray pictures ever taken. He has always been an enthusiastic  trout fisherman, and has secured a Colorado fishing and small license every year since they were first issued.

He has always been much interested  in paleontology, and has collected many fossils and shown others where to find them. This has been more than merely a hobby and never commercialized his knowledge. In the early days, Mr. McKee maintained a studio in Ouray and one in the town of Old Dallas.

 Truly, Thomas McKee has greatly aided the development of this emphire that is Western Colorado. He has enriched the town of Montrose, by his presence there, and has won a place in the hearts of fellow citizens.

Mr. Mckee brought the first motion picture outfit into Western Colorado in 1895. It was Kinetoscope, and he exhibited it in every town in this part of the state. 

Dated: February 11, 1934. Interview reported by Arthur W. Munroe, Field Survey Worker for the Colorado Historical Society. 

 

 

 

 

 

 

 

 

 

 

Thursday, October 1, 2026

Perry's rail photos deemed 'Suspicious Activity'


 
By Rob Carrigan, robcarrigan1@gmail.com

Denver railroad photographer Otto Perry took so many photos of trains in his lifetime, he managed to get himself arrested for "Suspicious Activity."

Perhaps he fell under the description of being neurodivergent, before the word cropped up in modern dictionaries. 

The term really got its start back in the late 1990s, and was added to the Merriam-Webster dictionary in 2002.  In 2019, the Oxford English Dictionary added it as well. It means basically having a brain that processes information and learns, pays attention, or behaves differently from what is considered typical or standard by society.  A lot of us railroad buffs, are sort of like that.

Neurodivergent is an umbrella term that describes people whose way of processing information is different from what society considers normal, according to Nick Walker, a psychology professor at the California Institute of Integral Studies.

"Brains differ from each other in the way fingerprints do. 'Neurodivergence' establishes this idea that within the spectrum of neurodiversity, there are dominant norms and divergences from those dominant norms," he said.

 "Right before the United States entered WWII, Otto was arrested for suspicious behavior and possible espionage in Woodward, Oklahoma. Otto was only trying to take pictures of railroads in the town, but policemen thought he was a spy photographing American trains for the enemy. Otto was imprisoned for a night, but released after they realized he was a mailman and they had no evidence of him being a spy. Otto then tried to sue the town, but the police officers claimed they were just doing their job. Otto dropped his lawsuit against the town when he couldn't find a lawyer who would represent his case," according to information from Denver Public Library Special Sections and Archives.

"During WWII, there was a ban on railroad photography, but this never stopped Otto. He would continue to take photos of trains in action without even needing to get into a rail yard," says records from Denver Public Library.

 Otto Perry lived (1894 - 1970) in Denver, Colorado his entire life. He was an avid railroad photographer during the 1910's up into the 1970's. He worked as a post man delivering mail. His travels and photographs are thankfully preserved at the Western History Department of the Denver Public Library.  

For over 50 years, beginning around 1915, Otto Perry photographed trains (primarily) and planes all over the world. 

According to Trainorders.Com "Mr. Perry was not a professional photographer, rather, he worked for the U.S. Postal Service in Denver. In the course of those 50-plus years, Mr. Perry created well over 20,000 images, many of which have appeared in a number of books about different railroads. From studying his work, it would seem that Mr. Perry spent nearly every spare minute he had either photographing trains. He never married thus didn't require "kitchen passes."'

 From Wikipedia, the free encyclopedia

Otto Perry (1894–1970) was an American photographer and railfan specializing in railroad photos. Perry worked as a mailman in Denver, Colorado, where he met and became friends with Louis McClure, another noted photographer.

By the time Perry died, his collection contained more than 20,000 photos, from all parts of North America. They were donated to the Western History Department of the Denver Public Library and have been made available

From Denver Public Library Special Sections and Archives:

Otto Perry (1894-1970)

Railroad photographer who predominantly photographed railroads in Colorado. He also took photos of railroads in all 48 continental United States. He was able to capture the history of railroads in the Rocky Mountains through his photography.

Wednesday, September 23, 2026

Teller County Leaf Peepers years ago

Friday, October 2, 2015


Aspen Gold Rush: Colorado Quakies showing great color in the past


 
Rob Carrigan,  robcarrigan1@gmail.com

Local leaf peepers experienced some of the best shows — so far to date— in Teller County, but it is still possible, the best is yet to come.
Color changes in Colorado’s Quaking Aspen (Populus tremuloides) start first in the higher altitudes of subalpine zones, between 9,000 and 11,000 feet, usually in early September, and drop progressively to 8,000 to 9,500 feet in three to four weeks.
Variations in temperature, moisture and light cause the chemical changes to begin. Diminished light and fall temperatures trigger the breakdown of chlorophyll.
As green colors fade, yellow, orange and red pigments — carotenoids and xanthophylls — are left and become more obvious.
Cool, dry weather promotes the longest and best color show and wet weather, especially snow, usually shortens the viewing period.

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Pikes Peak area 'colour' on the Palmer Divide

 

Showing 'colour' in Fox Run Regional Park

"The phrase and the day and the scene harmonized in a chord. Words. Was it their colours? He allowed them to glow and fade, hue after hue: sunrise gold, the russet and green of apple orchards, azure of waves, the greyfringed fleece of clouds. No it was not their colours: it was the poise and balance of the period itself. Did he then love the rhythmic rise and fall of words better than their associations of legend and colour? Or was it that, being as weak of sight as he was shy of mind, he drew less pleasure from the reflection of the glowing sensible world through the prism of a language many coloured and richly storied than from the contemplation of an inner world of individual emotions mirrored perfectly in a lucid supple periodic prose?”
― James Joyce, A Portrait of the Artist as a Young Man







2018 Rocky Mountain National Park and nearby

 

Color fall: A summary

Fast-moving color in the Estes Park area in the fall of 2018

Nothing lasts forever, including fall colors. Still moving down valley with the freeze, there is still time. But very little. Winter's coming. At some point, the candle will go out, so make use of the light.

Photos by Rob Carrigan





Sunday, September 20, 2026

2016 show of force

lo·cal col·or

noun
noun: local colour; noun: local color; plural noun: local colours
  1. 1.
    the customs, manner of speech, dress, or other typical features of a place or period that contribute to its particular character.
    "reporters in search of local color and gossip"
  2. 2.
    Art
    the natural color of a thing in ordinary daylight, uninfluenced by the proximity of other colors.
      
     
    dath áitiúil in Irish
     
    okalna boja in Croatian
     
    cor local in Portuguese