Sunday, August 7, 2022

Harvest symbolizes “richness that came to the land following introduction of irrigation”

Aspinall's long political career left his mark on Western water


Dethroned Democrat Wayne Aspinall returns to Colorado at Stapleton International Airport, 
Rocky Mountain News photo

"The Chairman" represents state in defining western water


By Rob Carrigan, robcarrigan1@gmail.com

Just about the time Wayne Aspinall's long, powerful, eventful, political career had finally run out of water and was coming to a close, "The Harvest" mural was winding down its first run, as well. Painted by Louise Emerson Ronnebeck, best known for her murals executed for the Works Progress Administration (WPA). Born in Philadelphia, she married artist Arnold Ronnebeck in 1926 and they settled in Denver, Colorado. In Denver, she built a successful career documenting western American history and social issues of the 1930s and 1940s.

"Emerson’s second commission was for the post office and courthouse in Grand Junction, Colorado. The Harvest (7’x 9’ oil on crescent shaped canvas) was completed and installed in 1940. The Harvest depicts a young man and woman working together harvesting peaches, symbolizing “the richness that came to the land following the introduction of irrigation”, with a water wheel in the background. Barbara Melosh, in her book Engendering Culture: Manhood and Womanhood in New Deal Public Art and Theatre, describes this frequently used Section theme.

She writes, “ Ronnebeck invokes the comradely ideal in the image of shared labor, and she emphasizes the physicality of work in the man’s muscled arms and the woman’s sturdy figure”. Similar to her Wyoming mural, the man and the woman are equals, working towards a common goal. The mural depicts the Ute Indians leaving the valley on the right side and the white settlers, pushing them out from the left. The theme of displacement is effective and evocative of the time and the changes that had occurred and continued to occur in the West."

Harry Hopkins, head of the WPA appointed by FDR, perhaps said it best “Hell! They’ve got to eat just like other people.” Many feared that if the Depression continued for very long, a generation of artists would be lost and a fatal blow would be dealt to American culture. 

By 1973, the mural was dirty and dull. It was shipped to Washington DC for restoration and subsequently forgotten. Until 1991, its whereabouts were unknown. The building manager of the Aspinall Federal Building in Grand Junction had come across frequent references to the mural, but could not locate it. Through perseverance and dogged detective work, he finally located it in New York, had it restored and returned it to Grand Junction. In January 1992, Emerson’s son and daughter, who had originally posed for the mural over 50 years earlier, unveiled it in a ceremony in the Grand Junction Aspinall Federal Building, where it remains today.


Louise Ronnebec's "Harvest," commissioned by the WPA, 1941, now returned to Aspinall Federal Building.


Wayne Aspinall moved to Palisade, Colorado when he was only eight years old from Ohio in 1904. He studied at the University of Denver until World War I, when he enlisted in the armed services (the Air Service of the Signal Corps). He returned to Denver University after his discharge and graduated in 1919. 

After several years of teaching around the state, he enrolled in law school in Denver and graduated in 1925. In 1930, he won a seat in the Colorado State House of Representatives, serving as Speaker in 1937 and 1938 before moving to the State Senate from 1939 to 1948. He served in World War II as a captain in Military Government during 1943 and 1944 as well. In 1948, he chose to run for national office, hoping for it to be a stepping stone to Colorado's governorship. However, he would stay in the U.S. House for 24 years.

Living on Colorado's Western Slope defined Aspinall's political ideology. His family had traditionally voted Republican, but the party's in-fighting in 1912 between Theodore Roosevelt and William H. Taft disillusioned Aspinall. However, despite becoming a Democrat, his rural roots shaped a relatively conservative philosophy. He believed in limited federal involvement in western land and water issues; to him, localities could better decide the uses of their resources.

"When I was young…I lived outside the little town of Palisade, and the townspeople always seemed to call the shots. Then I moved to Palisade, and the bigger town of Grand Junction always seemed to call the shots. Then I went to the state Legislature, and the Eastern Slope…seemed to call the shots. And in Congress, the big metropolitan areas seemed to hold all the marbles."

From 1966 to 1968, Aspinall took on the final significant water project battle of his congressional career. The purpose of the Colorado River Basin Project, according to supporters, was to build dams to generate revenue and energy for communities in the Lower Basin of the Colorado River without using much of the Upper Basin's river water. The primary focus of the project was the Central Arizona Project (CAP). CAP supporters, among other demands, wanted to build two dams, one that would flood Grand Canyon National Monument and part of Grand Canyon National Park (Bridge Canyon Dam), with the other on the edge of the Grand Canyon (Marble Canyon Dam). Aspinall originally supported this, claiming it would generate revenue for all Colorado River Basin states. In turn, however, he demanded that his district receive five reclamation projects for his support. Several congressmen, including Arizona senator Carl Hayden, saw this as action as a move that held the state hostage, and many would come to resent Aspinall for it.

Environmentalists vehemently opposed the CAP because of its detriment to the scenery of the Grand Canyon. Aspinall would later say "We viewed the development of the river as the only reasonable, practicable, safe, and logical way for millions of Americans and visitors to enjoy the canyon bottom which to date so few have had an opportunity to visit or view." However, during the debate, the Sierra Club mocked that philosophy, purchasing an ad in national newspapers in July 1966. "Should we also flood the Sistine Chapel so tourists can get nearer the ceiling?" it asked.

Sensing that he couldn't break the stalemate, Aspinall dropped the Grand Canyon dams from the CRPB in late August 1967. The bill eventually passed in the middle of 1968, creating the Colorado River Basin Act. However, in exchange for this compromise, Aspinall did receive five projects for Colorado (the Dallas Creek, Animas-La Plata, West Divide, San Miguel, and Dolores projects).

Of those five, only two were eventually completed (Dolores and Dallas Creek), though the Animas-La Plata project is currently under construction, and is one of the last major water projects in the West. Jimmy Carter famously declared a "Hit List" in 1977 on what he felt was wasteful spending on "pork barrel" water projects, eliminating the other three (among others). No new major reclamation projects were approved during the rest of the era, partly because Aspinall's heavy-handed demands that constrained the legislation broke apart the western coalition of politicians that supported the construction of water projects.

Serious consideration for the project began when the Colorado River Compact was signed in 1922 by the participating states, as well as the lower Colorado River states, California and Nevada. As a stipulation of that compact, the upper basin states were required to ensure an annual flow of no less than 7,500,000 acre-feet (9.3 km3) be delivered to the lower basin states. However, the annual flow of the Colorado River at Lee's Ferry in Arizona, the established dividing point, were extremely erratic, ranging from 4,000,000 acre-feet (4.9 km3) to 22,000,000 acre-feet (27 km3). This led to an inability of the upper basin states to meet the minimum delivery requirements to the lower states in dry years, and a loss of significant surpluses in wet years.

In order to regulate the flow of the Colorado and ensure compliance with the compact, a study was undertaken that determined a series of dams and reservoirs on the river and its tributaries would be necessary. A joint effort between the Upper Colorado River Commission, the Bureau of Reclamation and other federal agencies delivered a report with proposed projects to the United States Congress in 1950.

Among the proposed projects was a dam to be constructed on the Green River in Echo Park, in Dinosaur National Monument in Colorado. The proposal for Echo Park Dam created controversy and sparked the ire of Sierra Club director David Brower, who embarked on a national campaign to rescue the park. As part of a compromise, the proposed dam was stricken from the project and replaced with another dam in Glen Canyon, Arizona. Brower, who had not personally visited Glen Canyon prior to the compromise, later lamented the deal, describing it as "the worst mistake of his career" and "'the biggest sin I ever committed.'"

A revised, and slightly pared down, version of the plan was passed into law by Congress in 1956. The legislation called for the construction of dams, reservoirs and related works at Curecanti in Colorado, Flaming Gorge in Wyoming, Navajo in New Mexico and Glen Canyon in Arizona. All but the Navajo project were to include power generation capabilities; the Navajo project was intended as flood control only. Also included in the legislation were several related projects in the Colorado River basin.

Colorado historians remember Aspinall as one of the state's most influential politicians. Known as "The Chairman," he led the Interior and Insular Affairs Committee during a period that defined future water and land policy in the United States. Colorado Governor Richard Lamm, a Democrat, though he had several ideological differences with Aspinall, remarked that "No one in our history has done more to win Colorado a place at the table in Washington." His son, Owen Aspinall, went on to become Governor of American Samoa.





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